
Metropolis
Film · 1927
From Wikipedia, the free encyclopedia. Edgar Georg Ulmer (September 17, 1904 – September 30, 1972) was an Austrian-American film director. He is best remembered for the movies The Black Cat (1934) and Detour (1945). These stylish and eccentric works have achieved cult status, whereas Ulmer's other films remain relatively unknown. The first feature he directed in North America, Damaged Lives (1933), was a low-budget exploitation film exposing the horrors of venereal disease. His next film, The Black Cat (1934), starring Béla Lugosi and Boris Karloff, was made for a major studio, Universal Pictures. Demonstrating the striking visual style that would be Ulmer's hallmark, the film was Universal's biggest hit of the season. Ulmer, however, had begun an affair with Shirley Beatrice Kassler, who had been married since 1933 to independent producer Max Alexander, nephew of Universal studio head Carl Laemmle. Kassler's divorce in 1936 and her marriage to Ulmer later the same year led to his being exiled from the major Hollywood studios. Ulmer was relegated to making B movies at Poverty Row production houses. His wife, now Shirley Ulmer, acted as script supervisor on nearly all of these films, and she wrote the screenplays for several. Their daughter, Arianne, appeared as an extra in several of his films. Consigned to the fringes of the U.S. motion picture industry, Ulmer specialized first in "ethnic films," notably in Ukrainian—Natalka Poltavka (1937), Cossacks in Exile (1939)—and Yiddish—The Light Ahead (1939), Americaner Shadchen (1940). The best-known of these ethnic films is the Yiddish Green Fields (1937), co-directed with Jacob Ben-Ami. Ulmer eventually found a niche making melodramas on tiny budgets and with often unpromising scripts and actors for Producers Releasing Corporation (PRC), with Ulmer describing himself as "the Frank Capra of PRC". His PRC thriller Detour (1945) has won considerable acclaim as a prime example of low-budget film noir, and it was selected by the Library of Congress among the first group of 100 American films worthy of special preservation efforts. In 1947, Ulmer made Carnegie Hall with the help of conductor Fritz Reiner, godfather of the Ulmers' daughter, Arianné. The film features performances by many leading figures in classical music, including Reiner, Jascha Heifetz, Artur Rubinstein, Gregor Piatigorsky and Lily Pons. Ulmer did get a chance to direct two films with substantial budgets, The Strange Woman (1946) and Ruthless (1948). The former, featuring a strong performance by Hedy Lamarr, is regarded by critics as one of Ulmer's best. In 1951 he directed a low-budget science-fiction film with a noirish tone, The Man from Planet X. In 1964 he directed his last film, The Cavern, in Italy. Description above from the Wikipedia article Edgar G. Ulmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Film · 1927

Film · 1930

Film · 1920

Film · 1961

Film · 1945

Film · 1939

Film · 1960

Film · 1934

Film · 1942

Film · 1946

Film · 1945

Film · 1955

Film · 1944

Film · 1960

Film · 1948

Film · 1951

Film · 1945

Film · 1933

Film · 1947

Film · 1943

Film · 1964

Film · 1955

Film · 1943

Film · 1959

Film · 1946

Film · 1957

Film · 1943
Immagine non disponibile
Film · 1937

Film · 1939

Film · 1952

Film · 1943

Film · 1949

Film · 1959

Film · 1934

Film · 1939

Film · 1939

Film · 1951

Film · 1958

Film · 1940

Film · 1928

Film · 1940

Film · 1923

Film · 1925

Film · 1939

Film · 1928

Film · 1924

Film · 1956

Film · 1932

Film · 1924

Film · 1933
Immagine non disponibile
Film · 1929

Film · 1926

Film · 1946

Film · 1934

Film · 1940

Film · 1940

Film · 1922

Film · 1927

Film · 1924

Film · 1931

Film · 1924

Film · 1942

Film · 1943

Film · 1943

Film · 1931

Film · 1924

Film · 1934

Film · 1928

Film · 1938

Film · 1937

Film · 1936

Film · 1941

Film · 1943

Film · 1931

Film · 1954

Film · 1930

Film · 1954

Film · 1944

Film · 1925

Film · 1976

Film · 1950

Film · 1962

Film · 1934